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Videographer Jack Skelley posted Instagram footage of The Chainsmokers captured with a rearview camera from a 2010 Honda Pilot. The clip uses the camera’s wide, distorted image and built-in warning display as an artistic effect; the available report does not identify the concert’s date or location.
Videographer Jack Skelley has used the rearview camera from a 2010 Honda Pilot to film The Chainsmokers. In an Instagram post, Skelley shared footage showing the camera’s wide, distorted image and on-screen surroundings warning. The Drive reported that Skelley used the older automotive camera as part of the concert-video setup.
Skelley presented the footage as a challenge to conventional ideas of camera quality. “The 2010 Honda Pilot rearview mirror backup cam is, objectively speaking, the perfect cinema camera for filming The Chainsmokers,” he wrote, according to The Drive’s report. He contrasted debates about professional camera features with the “organic, raw pixel degradation” of a 16-year-old factory camera.
The image includes the vehicle’s original camera display. Skelley pointed to its aggressively wide view, visible color distortion and persistent “Check Entire Surroundings” graphic. The Drive reported that the concert footage was made with a camera associated with the Pilot’s rearview-mirror display. In a comment cited by the outlet, Skelley said he attached it to a Ronin RS4 gimbal.
For people seeking to reproduce the setup, the report says the in-mirror display was offered on the 2010 Pilot EX-L. The Touring trim instead used an in-dash display because it had a navigation system, while lower trim levels did not have a rearview camera. The article does not describe the full recording setup, how the camera feed was captured, or whether the footage shown was recorded continuously during the performance.
A Parking Camera as a Creative Tool
The clip shows older, limited cameras being repurposed to produce a distinctive visual style. The Pilot camera’s wide image, distortion and warning interface are visible in the footage. Skelley described these characteristics as part of his approach; the post does not claim the camera offers the clarity or control of modern production equipment.
The footage also uses automotive technology for a purpose separate from its design. A camera intended to help drivers see behind a vehicle can be used in an artistic project. The source report does not establish that it is a practical substitute for standard concert equipment or that the recording setup can be readily repeated. The footage’s appearance reflects the characteristics of this older camera system.
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Why the 2010 Pilot Had a Camera
The 2010 Pilot arrived before rearview cameras became standard in new vehicles under federal rules. Congress passed the Cameron Gulbransen Kids Transportation Safety Act in 2007, directing federal regulators to establish a rearview-camera requirement. The rule was issued in 2018, according to The Drive; by then, the outlet reported, most new vehicles already had rearview cameras.
Back then, a camera feed also needed somewhere to appear. The Pilot’s trim and equipment choices shaped that arrangement: the EX-L used a mirror display, while the Touring’s navigation system came with a conventional in-dash display. The camera was not included across the entire trim range. This makes Skelley’s setup a product of a particular model year and configuration, rather than a feature shared by every 2010 Pilot.
The idea of filming with a car camera has an earlier precedent. The Drive cited a 2016 short film made using a Toyota Prius backup camera. That project was described by Inverse as a spoof of filmmakers’ use of unusual formats. Skelley’s clip also uses the camera’s technical characteristics as part of its visual presentation.
““The 2010 Honda Pilot rearview mirror backup cam is, objectively speaking, the perfect cinema camera for filming The Chainsmokers.””
— Jack Skelley, in an Instagram post, as quoted by The Drive
automotive camera for filming concerts
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What the Clip Does Not Show
The source report does not specify when or where the concert took place, how long the camera recorded, or the method used to save or transfer its feed. It also does not provide technical details such as the camera’s resolution, recording format, or any post-production steps. Skelley’s gimbal comment describes the mount but does not answer those questions.
The available information also does not establish whether the footage was captured with the camera installed in the vehicle or how closely the clip represents an unaltered camera output. The Drive noted that the earlier Prius-camera short was filmed with its camera still installed in the car, and expressed interest in seeing the same approach at a concert; that is not confirmation that Skelley used that method. Further details would be needed to assess how readily another owner could recreate the shot.
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Whether More Footage Follows
The Drive’s report does not identify a follow-up project, additional footage or technical walkthrough. It describes Skelley’s Instagram post and notes that the recording process is not fully explained. Reproducing the setup would require confirming the vehicle’s trim and camera-display configuration, as well as determining how to capture the camera feed safely and reliably.
Additional information could come from Skelley sharing more footage or explaining the equipment and workflow. Until then, the report provides limited detail about how the camera was used as part of the filming setup.
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Key Questions
What did Jack Skelley use to film The Chainsmokers?
According to The Drive, Skelley used a rearview camera from a 2010 Honda Pilot. He said in a comment cited by the outlet that he attached it to a Ronin RS4 gimbal.
Which 2010 Honda Pilot trim had the in-mirror camera display?
The Drive reported that the EX-L had the in-mirror display. The Touring used an in-dash display, and lower trims did not have rearview cameras.
Was the footage recorded inside a moving Honda Pilot?
The available report does not say whether the camera was used while installed in the vehicle or explain the full recording setup. Skelley’s cited comment mentions a gimbal mount but does not settle how the camera was positioned or operated.
Why does the footage look different from standard concert video?
Skelley highlighted the camera’s wide, distorted image and its on-screen “Check Entire Surroundings” warning. Those built-in characteristics contribute to the footage’s unusual appearance.
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